DukeLukeProd

Age/Gender: 23, Male
Location: Salzburg, Austria

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Sign-Up Date:
5/18/08

Level: 8
Aura: Neutral

Rank: Civilian
Blams: 2
Saves: 9
Rank #: 144,742

Whistle Status: Normal

Exp. Points: 580 / 710
Exp. Rank #: 65,659
Voting Pow.: 5.00 votes

BBS Posts: 5 (0.01 per day)
Flash Reviews: 4
Music Reviews: 24
Trophies: 0
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All Audio Reviews

24 Reviews | 16 w/ Responses

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Score: 10
.HLS. Move On RMX [wip]

"Nice!"

date: March 2, 2009

I like those percussions and the groove in general, it's classic Trance but very well done! The sound is good but lacks some low-end, the BL has the same problem as the one in the last track of yours I've reviewed. Sounds like a supersaw/square - at least there's multiple oscillators detuned against each other which doesn't make a good bassline because it's much too unsteady and doesn't supply the constant "ooomph" a club track needs. you can keep the synth (remove the low frequencies though) but add another one (single osc) for the low bass.

I love the buildup (the first 2 minutes), the piano-melody also works surprisingly well for a lead synth, great idea! Looking forward to the full version!

March 3, 2009

Author's Response:

Thanks for the review and the advice! I might revert back to my original idea of a kinda quiet lowpass filtered bass with a lowpass filtered offbeat bass beneath it. I'll be sure to take up your advice. And is there an actual melody for the song? Because all you had up was a snippet and I didn't know if there were any other melodies that go with the song. If you could put up a full version of the song that would be extremely helpful on my part.

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Score: 10
Ocean's Breath (OM Collab)

"Supreme sound"

date: February 23, 2009

This is as professional as progressive trance gets, keep producing like this and you''ll have a bright future ahead of you. I have to criticize the "lead"-arp starting at 2:33 though, some notes are non-harmonic (no idea if that's how you say it, musical terms are hard to translate)
10 & 5'd

July 9, 2009

Author's Response:

yeah, i didn't really like the melody either. But i didn't really have the time to change it. thanks for the review!

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Score: 8
Alone (Extended Dark Mix) [WiP

"review"

date: February 23, 2009

Hey HLS,
It's good so far but it feels somewhat empty in the current state, I'm counting groove, bassline, synthlead and her voice. You should definitely add some more tonal instruments like an arp, an additional bass-layer (can have the same notes but make it more "crunchy") and/or the ones you've suggested. And remember that low bass shouldn't be in stereo (opinions vary but I try to keep everything below 100hz mono), "otiumFX basslane", a free plugin does that for you if you don't want to tweak your synth.
Okay that's about it then, keep on producing!

February 24, 2009

Author's Response:

Thanks for the advice :). I'll be checking out that plugin you mentioned, but I don't quite understand what you mean by making a bassline more "crunchy".

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Score: 10
The Lightning's Funeral

"Fantastic production"

date: February 5, 2009

This sounds gorgeous, even on my cheap headphones. The "athmospheric" instruments are used very thoughtfully and only where they are needed, which gives thing even more dimension. Totally faved!

February 6, 2009

Author's Response:

yea thanks for faving

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Score: 8
Ambient Trance WIP

"Cool stuff"

submission: Ambient Trance WIP
date: January 15, 2009

Hey Greg
The synth/sound selection comes very close to the late 90s Prog-Trance, one of the styles I absolutely, wholeheartedly love. The intro is already very good but the later progression lacks, well... progression. The piano should do a bit more than repeating the same pattern, give it some variation. Fade in another thick pad (like Chicane's) using a low pass filter over a few bars.
Some percussion samples in the main groove feel a bit delayed, take a look at all your samples and check if there's silence at the beginning. Use a clap with more punch and presence, I can barely hear it right now. I think there's too much going on in the cymbal-section, tone it down a bit. The bass sound is more on the subtle side but that's just right for prog trance, although maybe you could try turning the low-cut resonance up a notch to give it some spice?

Ok, so much for the things that could be improved imo, but I'm really looking forward to the finished version of this, keep it up :)

January 16, 2009

Author's Response:

Thanks a lot man, that was a really helpful review! Gave me an idea of what to focus on.

Progressions are kind of hard for me because I get kind of stuck on an idea I guess and don't want to risk ruining it XD (have to drop that bad habit) I do happen to have a nice thick pad that I loaded into an instrument track but I didn't get around to doing anything with it. It sounded pretty good with it but I'll have to tweak the sound first, it wasn't really right.

About the percussion delay, I didn't see any silence at the beginning of any of my samples. But there is reverb on most of them and there's predelay of about 10 ms. Maybe I should shorten that I guess.

I'm very tentative with claps, as I try to avoid getting a 'cheesy' sound that can be so easy to achieve. Plus I like the way in trance songs how the clap 'blends' with the kick and I was kind of trying to do that here, but I guess it's the wrong kind of kick anyway so it will need to stand out more. It's actually two claps, one is lowpassed with a crapload of reverb and some low freq stereo spread. It makes up most of the sound. The other part is mostly a bright clap with some high freq stereo spreading. It does have a high cut and I guess I could brighten up the sound by raising the second clap's overall volume, raising the high cut, and raising the volume of the snare sample. (claps are one of the things I ponder about XD)

I kind of got lost with the percussion and I'll have to tweak that obsessively until I'm happy with it. I've never done anything like this for percussion and I'm playing around with LFOs and white noise for the first time in a groove. I kind of have trouble deciding what volume everything should be at so layering is tricky.

I don't know about the bass it's kind of weird and when I mess with it it just seems to get worse :(

I feel like I'm getting ahead of myself here because everything on here is totally new and I'm kind of reluctant to take risks. This is totally different from anything I've done :P

I'm gonna keep working on this but it's gonna be a bit slower as I'm going back to school... thanks for the encouragement, and glad you liked it.

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Score: 10
Nuclear Flash (Mega Man 2)

"hmmm"

date: January 5, 2009

To me over the top means that it's too loud or unpleasant to listen to - not the case here. It's (3:15) just the most massive sounding climax I've ever heard in a D'n'B track. I can't imagine how many synths/samples you've layered here, may I ask what base-waveform you've used for the bassline?

Can't wait for listening to it on my proper sound system :)

January 9, 2009

Author's Response:

Hey, thanks for the comments!! The ending is definitely crazy, VERY hard to mix. If you want to see the chain I used for the bass patch, check out these images:

http://zirconstudios.com/pics/ultraba ss.PNG (synth is Zebra 2)
http://zirconstudios.com/pics/ultraba ssfx.PNG (effects)

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Score: 10
AoMK - Desert Montage

"5/5"

date: December 5, 2008

This is absolutely brilliant. I love the crescendo and the fact that you've stuck to the essence which makes it 51 seconds of pure gold. This reminds me of the OST of "Kingdom of Heaven" by Harry Gregson Williams (Light of life - Ibelin Reprise), both rhythmically and melodically, could it have been an influence? ;)
However the production quality is almost perfect, I only would've wished for the instruments to be a little closer to the listener, it seems like you're sitting 30 metres in front of it - but that's only my taste.
1/2 point for each time I've listened to it ;)

December 6, 2008

Author's Response:

I tried to adjust the reverb settings to emulate sitting in the middle of an european auditorium in front of a full size orchestra. Harold Gregson Williams is fast becoming one of my favorite composers. Howeverthis is just a small sample of a longer set of songs I'm still in the middle of putting together that are influenced/inspired by the music of Yoyo Ma/ Tan Dun (Crouching Tiger Hidden Dragon), Joe Hisashi (Princess Mononoke), and Raymond Wong (Kung Fu Hustle). I really recommended you listen to those soundtracks at least a couple of times. Thanks for the tohughtful review :D Cheers

EDIT: OMG I clicked the wrong icon to the right and I mistakenly flagged this review. I meant to give it a positive score. sorry sorry sorry :( :( :(

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Score: 8
Xyirx - Tomorrow is Waiting

"Sweet"

date: November 17, 2008

I liked it a lot, just a few thing to justify the 8/10.
0:13 I don't know about the chello, its tone is way too hard, maybe it's just too loud. I'd have expected a softer introduction of strings, maybe only violins instead of the chelli?
The melody has a few moments that sound weird to my ears. 1:16 for instance.
Otherwise this was well done and the mood really fits to the scene you've described. Keep up the good work

November 18, 2008

Author's Response:

I see right to the point where you say that the cello is too loud. XD Actually, I just want to emphasize the cello as main melody for the introduction, but looks like I've done too much. On the 1:16, I just add the extension of 7 (FM7), so it sounds quite distinct, compared to the smooth melody that continuously plays before that bar.

Thank you for constructive criticism. I really appreciate it. And thanks for listening.

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Score: 10
Infinity Ambience

"masterpiece"

submission: Infinity Ambience
date: November 14, 2008

I've listened to this about 5 times in a row today and I'm happy for you that, in the meantime, it has reached a chart position it really deserves. I've read your journal and I honestly don't know what else a person has to do to be allowed to call himself a composer.
Your synths and the real instruments intertwine to a point where you can't tell which is which. It's expertly arranged and you did everything to keep the progression exciting. The melodies are needless to say magnifient, i love this thing.
Thank you for sharing.

November 15, 2008

Author's Response:

Hundred bucks says it'll be zero-bombed like always :P
Thanks for the review though. Appreciated.

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Score: 8
Crush Depth

"deep crush"

submission: Crush Depth
date: November 12, 2008

0:00 - 0:45 A nice, eery intro complete with piano and strings, almost perfect. The introduction of the cymbals is a bit abrupt though. I think adding some kind of psychedelic delay (in the intro only) to the hi-hats while doing a volume fade would really fit to the intro style.

0:45 That bass/pad wall of sound is fairly awesome but what I like most about it is the phasing-effect, It might lack a tad of high mids though.

1:30 Cool main groove, the drums+hats work very well in the mix but when the bassline goes away, the cymbals become too shrill to my ears.

Being mostly a commercial-producer I miss some kind of main melody but of course that's not a necessary element.
Apart from that it's a kickass track, great job man!

cheers
-Luke

November 15, 2008

Author's Response:

Thanks for the awesome review!

Yes, EQ tends to be my weak point. I'm always looking for more "punch" in the mix and I let myself get carried away with dipping all the mids out.

Also, the Firefight loop I used in this is quite old (it was a 22kHz WAV!) and it was already distorted and sounded like garbage to begin with. if you listen to the track 4808, you'll see I've since upgraded to a nice clean library of Tramen loops I found somewhere, and hopefully soon I can get around to stretching this out into a nice 8 minute ordeal, and clean up the shrill hats.

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